The DJI Ronin 2 is one of the most capable, conscientious handheld stabilizers on the market right now. Constructed of lightweight materials, the Movi Pro supports a fifteen-pound payload while contributing less than six pounds to the overall rig. This re-engineered Movi uses Freefly’s popular Toad in the Hole quick release system to attach it to the Movi Ring Pro, an outer ring of 30mm tubing that functions as both a grip system for handheld operation and a gimbal stand for tuning or operator relief. The optional Mimic and Bush Pilot accessories create a dual operator ecosystem that supports gimbal, camera (limited), and lens control from a compact, wireless hub. Freefly deviated from the early Movi models’ clumsy, convoluted battery design that lacked built-in safety circuitry and incorporated dual hot-swappable batteries that are easily removed with one hand and discharge in the same amount of time it takes them to charge (approximately one hour).Įquipped with an onboard monitor, the Freefly Movi Pro provides basic tuning and adjustment setting controls from the rear of the gimbal and amalgamated d-taps offer accessory and camera power solutions from dedicated d-taps.
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The Movi Pro Handheld Bundle is the epitome of everything I’ve ever loved about the Movi line, optimized for professional use. Each stabilizer offers its own flavor of professional, proficient machinery, so what can an operator expect from these competitors of a niche arena? Freefly Movi Pro Last year’s release of the Freefly Movi Pro raised the stakes for videographers’ gimbal expectations, and DJI has answered the call with their powerhouse behemoth, the DJI Ronin 2.
Across the globe, DJI didn’t waste much time developing the original Ronin – DJI’s less expensive alternative to the popular Freefly handheld stabilizer. The Movi M10 revolutionized filmmaking for a vast population of shooters (myself included) when it was released in 2013. When it comes to innovative gimbal designs, Freefly Systems and DJI are at the top of their class.
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